Butterflies Rise from the Dead

by | Dec 9, 2025 | Climate Action | 0 comments

All summer, butterflies dance around purple lupine in our Willamette Valley field. They are tiny, the size of a buttercup, but blue. So blue, they look like slips of summer sky, taken flight. Fender’s blue butterflies. Icaricia icarioides fenderii.

The butterflies were once presumed to be extinct. Then, in 1989, a couple strays showed up in a farmer’s field. They were pronounced officially endangered, on the brink of extinction. But now they are back in force. We see them lapping up nectar from the furry throats of wild iris. We find their eggs on the undersides of Kincaid lupine leaves. On soggy flats by the pond, they gather to lick mud. Two years ago, the Federal Register reclassified the Fender’s blues as merely threatened. That is to say, despite “the loss, degradation, and fragmentation of prairie and oak savannah habitats, including conversion to non-habitat land uses; . . .  encroachment into prairie habitats by shrubs and trees due to fire suppression; insecticides and herbicides,” the butterflies have not, and perhaps will not soon, tip over the brink and disappear forever.

Hooray!

Okay. It’s a small victory, but I refuse to be cynical. I’ll take anything I can get these days, and I have nothing but praise for the young biologists in local conservation groups like the Marys River Watershed Council and the Greenbelt Land Trust who, along with acronym-agency biologists, saved the species. With clipboards and unfailing courtesy, people like Kathleen Westly, Restoration Program Director, walked through the one percent of Willamette Valley’s prairies that remain, the small islands in a sea of subdivisions and grass seed farms, and convinced local landowners to keep their prairies intact. They planted the lupines that the butterflies depend on, grubbed out invasive plants that shade out prairies, and even persuaded us to chop down some of the Douglas-firs we had planted in the meadow thirty years ago. We had intended them to be Christmas trees but somehow didn’t get around to cutting them before they grew fifty feet tall and shaded out the field.

It feels good to sit in the sun, lean against a stump, and watch butterflies brought back from the dead. Long tongues that retract and roll up like measuring tapes. Bulgy eyes that see ultraviolet pathways to the heart of a flower. Intestines that collect the remains of the caterpillar that a butterfly used to be. Clear blood. Hairy feet to taste sweetness. Two eyes that coordinate images from 6000 lenses. Transparent wings with scales in some of the loveliest patterns and colors on the planet.

Butterflies evolved in the Cretaceous period, a hundred million years ago. They danced around the feathered crests of dinosaurs, dipped their tongues in the blood of wounded pterosaurs, and drank from newly-evolved flowers. Here’s what I wrote about them in my not-quite-published new book:

“The storms of the Cretaceous period could not kill the butterflies. The asteroid that set the world on fire did not kill the butterflies. They survived ice age after ice age, flood after flood, drifting continents and fire-breathing volcanoes. Even with their axes and plows, the homesteaders did not kill the butterflies. Tiny things, delicate as paper lanterns, each allotted only one year to live before they blink out, the butterflies on this land survived everything that a hundred million years could throw at them.  I don’t know where, or when, their journey will end. But it will not be here, and it will not be now.”

News Archive

Google “Animal Interludes” to hear wonderful writers read excerpts from Kathleen’s recent bookEarth’s Wild Music: Robin Kimmerer on the common murre and the grey wolf, Jane Hirschfield on the albatross, Aimee Nezhukumatathil on meadowlarks, and many more.

Catch Kathleen at the Corvallis Arts Center opening of the Wildfire + Water exhibition, May 15, 4 pm.

The Center for Humans and Nature has just released a set of books of essays about the four elements. In Bk. iii. Water, you’ll find Kathleen’s fiercely beautiful essay, “When Water Becomes a Weapon: Fracking, Climate Change, and the Violation of Human Rights.”

Read Kathleen’s new op-ed, a sly argument that hurricanes should be named, not for innocent Debbies and Ernestos, but for the fossil fuel executives who are actually increasing the fury of storms.

Hear Kathleen talk about a human-rights strategy to combat climate wrongs, podcast on the New Books Network, available here.

And you’ll like the new book, The Heart of the Wild, with Kathleen’s essay, “In Feral Land is the Preservation of the World.”

Hear Kathleen talk about a human-rights strategy to combat climate wrongs, podcast on the New Books Network, available here.

Announcing the release of Animal Dignity, with Kathleen’s essay “The Heart of the Scorpion,” about the moral power of the will to live.

On a new Spring Creek podcast, Kathleen tells a story about how W.S. Merwin’s prose poem, “Unchopping a Tree,” helped her and her students think through the question that possesses us all: How can one heart hold both a deep love for the natural world and the knowledge that it is being destroyed?

If you are looking for a holiday gift for your nature-loving and/or environmental-activist friends, please think of Kathleen’s Take Heart: Encouragement for Earth’s Weary Lovers.

Join Kathleen Moore and Charles Goodrich in a discussion of his new novel, Weave Me a Crooked Basket, Monday, November 20 @ 7pm (PT) Powell’s City of Books

Here’s Kathleen’s hard-hitting article, “Clean Natural Gas is a Dirty Deception.”

Frontiers in Ecology and the Environment just published Kathleen’s “The perilous and important art of definition: the case of the old-growth forest.” Read it here.

Earth’s Wild Music is a Chicago Review of Books Must-Read Book of the Month. Read the review here.

Read Kathleen’s new article, “How Big Oil is Manipulating How You Think about Climate Change,’ in Salon.com.

Kathleen and her colleague, Michael P. Nelson, apologize to the world for the damage done by racist and cruel Enlightenment philosophies. See “Did Philosophy Ruin the Earth? A philosopher’s letter of apology to the world” in Salon. 

Hear Kathleen speak about “Gratitude as a Way of Life” in the Natural History Institute’s Reciprocal Healing series.

Hear a new composition for English horn, based on Kathleen’s glacier essay, “The Sound of Mountains Melting,” from Earth’s Wild Music, written and performed by Chris Zatarain.

Three of Kathleen’s essays – “Swallows, Falling,” “Common Murre,” and “Dawn Chorus” are published in a new collection that celebrates birds, Dawn Songs, edited by Jamie K. Reaser and J. Drew Lanham.